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Are your characters based on people you know?
SI: Actually, my characters just come to me. I don't look outward for inspiration. I couldn't write a book about a religious Catholic because I don't know what it's like to be one. I write about what I know. When I was working on Compromising Positions, it seemed natural for my main character, Judith Singer, to be a housewife-detective.
You're working on a sequel to Compromising Positions. How did that come about?
SI: I'm a member of the Adams Roundtable, a group of writers who meet monthly and put together an anthology of mystery stories each year. I was asked if I wanted to write a story for the new edition and I immediately thought of using Judith Singer as the central character. My new novel grew out of that short story. I just thought it would be fun to return to Judith and see what she's been up to.
Has your husband's profession as a criminal defense lawyer influenced your plots? Are your children sources for ideas, as well?
SI: Actually none of my plots came from his cases. But my husband's passion for the law is very attractive to me. He loves his cases and his colleagues and that kind of energy is what I wanted to create in my books. I have used his advice and also some of his contacts in getting information. As for my children, they are sources of good editorial advice. Andrew is a lawyer, and his wife, Leslie, is an editor at HarperCollins Audio. My daughter, Elizabeth works in the public information section of Actors Equity and her husband teaches physics at the Bronx High School of Science.
Deception and betrayal are central themes that run through almost all of your books. Why do you think people find it so hard to open up and be honest with each other?
SI: Some people come to hate what they are. They attempt to reinvent themselves. Jews become Christians, children of blue-collar families become "aristocrats," middle-aged men become Lotharios. But, in becoming someone else, these self-haters have to negate or destroy the people in their old lives who remind them of what they are. That's a terrible price to pay.
Why do family values play such a large part in almost all of your books?
SI: I love family. As an only child, I could have been awfully lonely. But my mother was one of six children and so I had an entire clan of largely uncritical cousins. What a blessing! I'm enormously attached to all of them. The worst hurt I could imagine would be to be betrayed by a family member, and I use treachery, in different forms, to get the action going in Shining Through, After All These Years and Lily White.
What sparked your desire to write about the particular spirit of adventure in Red, White and Blue?
SI: Some Jews who came to America settled in New York. But New York is a separate state of mind from the rest of the country and demands a certain set of challenges. Other Jews who came to America had a strong sense of adventure, a need to strike out on their own and see what's out there. They had a willingness to face physical challenges. They were the ones who went out west. Some became assimilated. They disappeared. I was interested in what happened to those lost Jews.
You grew up in a nonobservant household in a Jewish neighborhood in Brooklyn. What was it like?
SI: It would be dishonest to say that I spent my childhood searching for meaning. I was a normal, Dodger-loving, ice-cream eating, book-reading Brooklyn kid. But growing up in a nonobservant home made me feel cut off from the comfort of a group, made me, an only child, feel even more alone. I had religious longings that could not be satisfied except by talking directly to God. In my home, there was no comforting ritual. I can't recall ever hearing the Sh'ma. I felt like an outsider among my fellow Jews. What I loved about going to my Aunt Sara and Uncle George's house for Passover was both their warmth and the joy of the holiday. I belonged. I was part of a circle that went beyond my immediate family. I remember when my cousin Janice or Judy opened the door for Elijah, I was positive that I could see the wine stirring. I thought Elijah had actually taken a sip!
Is Judaism a major part of your life today?
SI: Absolutely. My husband and I are active in the Jewish community and in our synagogue. I've kept kosher since I'm married. My Judaism defines who I am. Judaism is an entire way of life. It's a moral code, an intellectual approach, a way of seeing your place in the universe. I have embraced Judaism fully.
What attracted you to Women's American ORT?
SI: When I first moved to Long Island, my sister-in-law, Arlene Abramowitz, was already active in ORT so I joined her chapter. What impressed me about the organization at my first meeting was not only that the members were doing good for others, but that their sense of duty transcended national borders and social class. They were truly selfless. ORT's goals are similar to my beliefs. Taking responsibility for learning a trade to help care for your family and yourself is very important. I also think it's vital that women take responsibility for themselves. That gives them strength and confidence. I believe strongly in the notion of learning to do your part in today's society. And I especially believe that women ought to have a part in society. It's no accident that my first book of nonfiction is Brave Dames and Wimpettes: What Women Are Really Doing on Page and Screen.
Apart from writing and social causes, what other interests do you have?
SI: I am an ardent Mets fan and I love to cook and entertain, especially for our large extended family. Oh, yes, I also collect Joseff of Hollywood costume jewelry. Best of all, my grandson, Nathan Henry Abramowitz, was born on April 3rd of this year. Being a grandma is marvelous.
Linda Tucker writes frequently for magazines and Web sites.
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